Tags
Elegiac Realism, Frailty and Strength, Grit and Grace, Human Resilience, Intersecting Lives, Irony and Solace, Poetic Vignettes, Ritual of Loss, Urban Existentialism

The hospital room glows at three,
Where birth and death shake hands as one;
A newborn cries in victory,
Unknowing yet what pain will come.
And down the hall, the monitors fade,
Two stories close, as one is made.
The surgeon’s hands that heal by day
Can thread a nerve, can stitch an eye;
But when the night has drained away,
Her fingers tremble, nerves awry.
Yet through fatigue and hidden strife,
Her purpose unshaken: restoring life.
The homeless man breaks half his bread
For cats that prowl the subway grate;
They huddle near the fire he’s fed,
As paper burns to hold off fate.
His feast is what the night will spare,
Yet kings give less, and none so fair.
The comedian cracks jokes on stage
About his mother’s slow decline;
He hides despair in practiced rage,
Edits grief to fit the punch line.
Laughter erupts—his pride is the shroud—
A hidden peace he dares not speak aloud.
A widow kneels at her soldier’s stone,
A rose wilting in her trembling hand;
His distant wars still haunt her when alone,
Yet in their child, his dreams still stand.
Though sorrow clings, his memory stays—
A living light through darkened days.
She laughs until her mascara runs,
At his funeral, beneath the rain;
She mimics the way he’d twist his puns,
Mocking tears that betray the pain.
Ripples of laughter split the gray—
And grief itself is held at bay.
So here we meet on common ground:
Hospitals, funerals, subway cars.
Where sorrow roots, small joys are found—
And beauty flickers beneath our scars.
Yet still, in shadowed thoroughfares,
Even fragile hearts find shelter there.